Structural hybridization in film and television production in Hong Kong
Publication in refereed journal

替代計量分析
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其它資訊
摘要Hong Kong is increasingly embraced by the larger Chinese culture as its ties with the Mainland in various domains are enhanced. This article addresses an emerging trend of Hong Kong media production: as the local market declines, the Hong Kong television industry and movie industry tend to target and expand into the Mainland market mainly by means of co-production. Co-production as such has resulted in the hybridization of norms, values and ideologies coming from sources in Hong Kong and China. It has also given rise to fundamental changes in the structure and organization of Hong Kong cultural production. We will focus on structural hybridization as such, and illustrate the idea with two cases-the movie Hero and the television drama series The Drive of Life. © Taylor & Francis Group, LLC.
著者Chan J.M., Fung A.Y.-H.
期刊名稱Visual Anthropology
出版年份2011
月份1
日期1
卷號24
期次1
出版社Taylor and Francis Inc.
出版地United Kingdom
頁次77 - 89
國際標準期刊號0894-9468
電子國際標準期刊號1545-5920
語言英式英語

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