'MIROIR FLUIDE': MESSIAEN, DEBUSSY, AND CYRANO'S 'SYNAESTHETIC' BIRD
Publication in refereed journal

香港中文大學研究人員

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替代計量分析
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其它資訊
摘要The critical influence of Debussy's music on Messiaen's artistic development is widely acknowledged, but the more specific question as to how it helped shape Messiaen's sound-world has not been addressed in any depth. Volume VI of Messiaen's Traite de rythme, de couleur et d'ornithologie (2001), which compiles his analyses of Debussy's music, is one of the best sources for such an investigation. Taking a cue from the notion of a 'miroir fluide', which was cited by Messiaen from Cyrano de Bergerac (1620-55) in Traite VI, this essay explores how the latter may be read metaphorically along the same line. Since Messiaen was less wary about how his discourse might affect others' perception of him as a composer in Traite VI, the latter throws as much light on Debussy's as on his own music.
著者Cheong WL
期刊名稱Music and Letters
詳細描述Oxford University Press.
出版年份2014
月份11
日期1
卷號95
期次4
出版社Oxford University Press (OUP): Policy E - Oxford Open Option B - RCUK
頁次603 - 647
國際標準期刊號0027-4224
電子國際標準期刊號1477-4631
語言英式英語
Web of Science 學科類別Music

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