Assistant Professor Kristof VAN DEN TROOST - CUHK Research Portal - CONVERIS Research Information System

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Professor Kristof VAN DEN TROOST

Personal Information

Position and Department

Assistant Professor, Centre for China Studies

Emailk.vandentroost@cuhk.edu.hk

ORCiD0000-0003-3635-0742

CUHK Research Outputs

Registers of the melodramatic mode: the 1980s heroic bloodshed cycle in the history of the Hong Kong crime film (2024)

Censorship of Cinematic Sex and Nudity in Hong Kong’s Long 1970s (2023)

Hong Kong Crime Films: Criminal Realism, Censorship and Society, 1947-1986 (2023)

Hong Kong Crime Films: Crises and Generic Evolution (2023)

Review of Stephen Chu Yiu-wai's "Main Melody Films: Hong Kong Directors in Mainland China" (2022) (2023)

Criminal Realism: Crime Film and Censorship in 1970s Hong Kong (2022)

Criminal Realism: Hong Kong Crime Film, Censorship and Society in the 1960s and 1970s (2022)

Hong Kong Cinema: Non-National Allegory in the Non-Third World (2022)

Propagandist or Objective Observer? Independent Documentaries in/on Hong Kong’s Recent Social Movements (2022)

The Censorship of Politics in Hong Kong Cinema: Past, Present, and Future (2022)

Youth, Crime and Rebellion in Hong Kong Cinema: The Way We Keep Dancing (2020) (2022)

After 1967: Political Blame, Moral Panic, and the Hong Kong Youth Problem Film Cycle (2021)

Problem Youth Films and the Hong Kong New Wave (2021)

Youth and Allegory in Hong Kong Cinema, or The Way We Keep Dancing (2021)

Genre and Censorship: The Crime Film in Late Colonial Hong Kong (2020)

Reflected in the Rear Window: Hitchcock and Hong Kong (2020)

Righteousness, Brotherhood, Justice: Feeling and Affect in 1980s Hong Kong Crime Films (2019)

Righteousness, Brotherhood, Justice: Feeling and Affect in 1980s Hong Kong Crime Films (2019)

Tharlo: Short Story and Film Script by Pema Tseden (2019)

Wong Fei-hung Was a Gangster? A Blasphemous Reading of a Kung Fu Film Legend (2019)

The Censorship of Violence, or the Violence of Political Censorship: Hong Kong’s “Illegal” Censorship and the 1988 Film Censorship Regulations (2018)

Cold War Thaw: Changing Film Censorship in 1980s Hong Kong and Its Impact on the Crime Film Genre (2017)

From Action to Crime, Beyond 1997: Reorienting the Study of the Hong Kong Action-Crime Film (2017)

Under Western Eyes? Colonial Bureaucracy, Surveillance and the Birth of the Hong Kong Crime Film. (2017)

Chinese national allegory goes West: Let the Bullets Fly (2016)

Chinese satires: de (on)macht van de lach [Chinese Satires: The Power(lessness) of Laughter] (2016)

East by Southeast”? The Impact and Adaptation of Hitchcock Films in 1950s and 1960s Hong Kong (2015)

Hitchcock in Hong Kong: The Impact of the Master of Suspense on 1950s and 1960s Hong Kong Crime Cinema (2015)

Jiang Wen’s ‘Let the Bullets Fly’: Horsing Around with Revolution in Post-Socialist China (2015)

Representing Crime in 1950s and 1960s Hong Kong Cinema: Colonial Censorship, Social Reality, and International Trends (2015)

Born in an Age of Turbulence: Emergence of the Modern Hong Kong Crime Film (2014)

Postwar Hong Kong Crime Films: Cold War, Popular Culture, and Genre (2014)

War, horror and trauma: Japanese atrocities on Chinese screens (2014)

The Roaring 1960s: Emergence of the Modern Hong Kong Crime Film (2013)

Eastern Westerns: Transnational Mutation of an “American” Genre (2012)

Jilu zhi guang you Xianggang fasan – 2011 nian Xianggang jilupian de zhizuo, shichang, yingzhan deng gaikuang 纪录之光由香港发散——2011年香港纪录片的制作、市场、影展等概况 (The Brightness of Documentaries Emanates from Hong Kong – 2011 Survey of Documentary Production, Markets, and Festivals in Hong Kong) (2012)

War, Horror, and Trauma: Japanese Atrocities on Chinese Screens (2012)