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> Brian Christopher THOMPSON
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Dr. Brian Christopher THOMPSON
(No longer affiliated with CUHK)
CUHK Research Outputs
1 of 4
Empire, Nation, and Music: Canada’s Dominion Songbook
(
2019
)
'Archival' Research: 21st-Century Methods of Research 19th-Century Music
(
2018
)
CAML Review
(
2018
)
France, Music & War, as Read in the Pages of Le Passe-Temps (1914-1918)
(
2018
)
Music, Culture, and Education in the Post-Colonial Hong Kong Special Administrative Region
(
2018
)
Pre-performance lecture: "Maxwell Davies, Bruch, Mendelssohn" Hong Kong Philharmonic
(
2018
)
Pre-performance lecture: "Tchaikovsky" Hong Kong Philharmonic
(
2018
)
1917: ‘The Great War,’ Nationhood, and Music in Canada.
(
2017
)
Assessing the HKDSE in Music
(
2017
)
Black and Green: Ireland, the Irish, and Blackface Minstrelsy
(
2017
)
CAML Review
(
2017
)
CAML Review
(
2017
)
Canada: Who Do We Think We Are?: "The opening measures of “Une Couronne de Lauriers” by Calixa Lavallée, ca. 1864"
(
2017
)
Elisso Virsaladze, piano. Robert Schumann: Arabesque in C major, Op. 18; Franz Schubert, Sonata in B-flat major, D 960: 1; Robert Schumann, Fantasiestücke, Op. 12; Robert Schumann (Franz Liszt), Widmung from Myrthen, S566; Franz Liszt, Rhapsodie espagnole, S254.
(
2017
)
Hearing Jane Austen's World
(
2017
)
Hearing Jane Austen's World
(
2017
)
Nation and Classical Music: From Handel to Copland. By Matthew Riley and Anthony D. Smith
(
2017
)
Pre-performance lecture: Mendelssohn: A Midsummer Night’s Dream: Overture, Op. 21; Mendelssohn: Piano Concerto No. 1 in G minor, Op. 25; Mahler: Symphony No. 4. Hong Kong Philharmonic Orchestra, conducted by Yu Long; Serena Wang, piano; Rao Lan, soprano.
(
2017
)
Pre-performance lecture: "National Day Concert" Hong Kong Philharmonic
(
2017
)
Pre-performance lecture: SMETANA: Má vlast: The Moldau, BEETHOVEN: Piano Concerto no. 5 in E flat, Op. 73 ‘Emperor,’ RACHMANINOV: Symphonic Dances. Hong Kong Philharmonic Orchestra, conducted by Elim Chan; Stephen Hough, piano.
(
2017
)
The National Theatre Brno. Leoš Janáček: Sinfonietta, Vecné Evangelium (The Eternal Gospel), and Glagolitic Mass.
(
2017
)
Tone and Place in the Film Scores of Rachel Portman
(
2017
)
Calixa Lavallée (1842-1891). L'œuvre pour piano seul / The Complete Works for Solo Piano
(
2016
)
Calixa Lavallee. L’oeuvre pour piano seul / The Complete Works for Solo Piano
(
2016
)
Charlie Chaplin’s The Gold Rush
(
2016
)
Hearing the Worlds of Jane Austen
(
2016
)
Landscape and Music: Constructing Englishness in the Film Scores of Rachel Portman
(
2016
)
Of Chronicles and Kings: National Saints and the Emergence of Nation States in the High Middle Ages, edited by John Bergsagel, Thomas Riis, and David Hiley (Copenhagen: Museum Tusculanums Forlag, 2016).
(
2016
)
Programme notes: 'French Music,' Debussy String Quartet
(
2016
)
Programme notes: Opera Gala
(
2016
)
Review of: Chopin: A Film by Angelo Bozzolini. DVD. (Berlin: EuroArts, 2015)
(
2016
)
Review of: Listening to Stanley Kubrick: The Music in His Films, by Christine Lee Gengaro (Lanham, Maryland: The Scarecrow Press, 2013), and We’ll Meet Again: Musical Design in the Films of Stanley Kubrick by Kate McQuiston (New York: Oxford University Press, 2013)
(
2016
)
The Critic, the Public and the 'Femme' Fatale
(
2016
)
The Curious Career of Calixa Lavallee
(
2016
)
William Notman and the (Post)-Colonial Soirée
(
2016
)
Zhao Jiping and the Sound of Resistance in 'Red Sorghum'
(
2016
)
Ambiguous Images: Imagination, Gender and Sexuality in Popular Culture of the 1860s
(
2015
)
Anthems and Minstrel Shows: The Life and Times of Calixa Lavallée, 1842-1891
(
2015
)
Film and Traditional Music to ‘Serve the People and Socialism.’
(
2015
)
Guest Lecture: Borrowed Music: Recreating the Past Sonically in the Period Films of Ang Lee
(
2015
)
Minstrels on the Road: The Uneasy Embrace of US Popular Culture in 1860s Britain
(
2015
)
Music, Words, and National Holidays
(
2015
)
on Naxos and historical recordings
(
2015
)
Organiser and participant: "Roundtable on Undergraduate Research"
(
2015
)
Poster: 'Music in Film'
(
2015
)
Programme notes: Theatre of Voices - Arvo Part: 80 by 8
(
2015
)
Programme notes: Theatre of Voices - Works by Carissimi and Frescobaldi
(
2015
)
Review of: The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy, by Christopher J. Smith (Urbana: University of Illinois Press, 2013)
(
2015
)
Teaching Film Music (UGED2133
(
2015
)
Zhao Jiping and the Sound of Resistance in Red Sorghum
(
2015
)
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