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> Professor Ho Yee Connie KWONG
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Professor KWONG Ho Yee Connie
Personal Information
Position and Department
Professor
,
Department of Chinese Language and Literature
Phone
39437081
ORCiD
0000-0002-1849-0111
CUHK Research Outputs
1 of 2
協商與內在抵抗：中日戰爭時期中國現代派與歐洲戰爭文學 (Negotiation and Inner Resistance: The Modernist School and European War Literature during the Sino-Japanese War)
(
2023
)
Wars and Ideas: A Transcultural Reading of European War-narratives in Colonial Hong Kong during the Second Sino-Japanese War
(
2022
)
戰爭語境下「透明」的語言和政治——國際世界語雜誌《遠東使者》（Orienta Kuriero）及其中國抗戰文藝（Transparent Language and Politics in Wartime: Exploring the Relationship between the International Esperanto Magazine "Orienta Kuriero" and Chinese Anti-War Literature and Art）
(
2022
)
戴望舒致艾田蒲的一封信——兼論抗日戰爭時期馬爾羅的小說翻譯 (A Letter from Dai Wangshu to Réne Étiemble: On Translation of André Malraux’s Novels during the Second Sino-Japanese War)
(
2022
)
Literary Translation as Strategy of Resistance: Ye Lingfeng’s Transcultural Reading of European War Literature during the Second Sino-Japanese War
(
2021
)
文學典律與戰爭的跨文化語境——中法視野下的中國革命與文學 (Literary Canon and Transcultural Context of War: Chinese Revolution and Literature under the Sino-Franco Perspective)
(
2021
)
不負如來不負卿？--倉央嘉措詩歌的閱讀和翻譯
(
2020
)
世界主義的沉思──論歐洲戰後保爾．穆杭小說及其中文翻譯的生成與傳播 (Rediscovering Cosmopolitanism: Paul Morand's Novellas after the Great War, their Chinese Translation and Transmission)
(
2020
)
五月之約
(
2020
)
本土的異鄉聲音——論也斯、香港文學與世界文學 (Foreign Voices Found in Local Literature: Study on Ye Si, Hong Kong Literature and World Literature)
(
2020
)
跨越歐亞戰爭語境的左翼國際主義——論巴比塞《火線》及葉靈鳳的中文翻譯 (The Left-wing Internationalism in the Context of European and Asian Wars: Barbusse’s Le Feu and Its Chinese Translation by Ye Ling-feng)
(
2020
)
Rhetoric of Landscape in the Shanghai New Sensationist Writings of the 1930s: With a glimpse into Hong Kong as Metaphor of "Country and Nature" (三十年代上海「新感覺派」的都市風景修辭——兼論香港作為「鄉村自然」的隱喻)
(
2019
)
互為東西：中國現當代文學的跨文化對話 (Shuttling between East and West: Transcultural Dialogue of Modern and Contemporary Chinese Literature)
(
2019
)
互為東西——德法學者視野下的也斯、香港文學與中國現代文學 (Shuttling between East and West: Ye Si, Hong Kong Literature, and Modern Chinese Literature from the Perspectives of German and French Scholars)
(
2019
)
俄蘇文學、法語左翼與中國現代派：論高力里《俄羅斯革命中的詩人們》的生成、翻譯與傳播 (Russian-Soviet Literature, Francophone Leftists and Chinese Modernists: Translating and Transmitting Benjamin Goriély’s Les Poètes dans la révolution russe)
(
2019
)
政治審查與文學生產——論葉靈鳳主編《立報．言林》的抗戰文藝和翻譯 (Censorship and Literary Production: Ye Lingfeng’s Anti-war Writings and Translation in His Literary Supplement Yin Lin of the newspaper Lih Pao)
(
2019
)
跨越歐亞戰爭語境的左翼國際主義——論巴比塞《火線》及葉靈鳳的中文翻譯 (The Left-wing Internationalism in the Context of European and Asian Wars: Barbusse’s Le Feu and Its Chinese Translation by Ye Lingfeng)
(
2019
)
Book Review of China’s Stefan Zweig: The Dynamics of Cross-Cultural Reception. By Arnhilt Johanna Hoefle. Honolulu, HI: University of Haiwai‘i Press, 2018.
(
2018
)
Sino-Japanese War and Western Literature: A Study of Ye Lingfeng's Edition of the Supplement of Li Pao and His Chinese Translation of Red Planes Fly East (抗日戰爭語境與西方文學資源——論葉靈鳳主編《立報．言林》及《紅翼東飛》的翻譯)
(
2018
)
互為鏡像的中法左翼作家：戴望舒、艾田伯和馬爾羅 (Images of Chinese and French Leftist Writers in Crossed Mirrors: Dai Wangshu, Réne Étiemble and André Malraux)
(
2018
)
超越國界——戰爭語境下《立報‧言林》的「內在抵制」與《紅翼東飛》的翻譯 (Beyond Boundaries: Resistance Strategy of Lih Pao's Supplement and the Chinese Translation of Red Planes Fly East in the Context of the Second Sino-Japanese War)
(
2018
)
Fanal Obscur: Chinese Modernists and European Leftist Literature (黑暗的明燈：中國現代派與歐洲左翼文藝)
(
2017
)
戰爭與和平的辯證——跨越歐亞戰爭語境下葉靈鳳翻譯的《火線下》 (Dialectic of War and Peace: Ye Lingfung's Translation of Le Feu in the Contexts of Wars across Europe and Asia)
(
2017
)
Beyond Theories: Reflections on Intermedia Creations to Literature (理論以外：從跨媒體創作到文學自身的思考)
(
2016
)
Chinese Modernists and French Leftist Intellectuals in the 1930s and 1940s: On the Translation and Transmission of Benjamin Goriély’s Les Poètes dans la révolution russe
(
2016
)
Revisiting and Reinvestigation: A Transcultural Dialogue on “Telling the Truth” emphasized by Ba Jin (重訪與重探： 巴金「講真話」的跨文化對話)
(
2016
)
The Leftist Internationalism in the Context of European and Asian Wars: Barbusse’s Le feu and Its Translation by Ye Lingfeng (歐亞戰爭語境下的左翼國際主義——巴比塞和葉靈鳳的《火線下》)
(
2016
)
Under Fire: Chinese Modernists and French Leftist Literature (「火線下」的中國現代派與法國左翼文藝)
(
2016
)
生活以外的生活
(
2016
)
「轉譯」中的法國左翼文藝──論戴望舒譯伊凡諾夫《鐵甲車》 (Dai Wangshu’s Relay-translation of Vsévolod Ivanov’s Le Train blindé numéro 1469)
(
2016
)
Rediscovering Cosmopolitanism: Paul Morand's Novellas after the Great War, their Chinese Translation and Transmission = 世界主義的沉思──論歐洲戰後保爾．穆杭小說及其中文翻譯的生成與傳播
(
2015
)
Reflection on Modernism in the Context of War: Four Chinese Translations of Paul Morand’s La Nuit des six jours (戰爭語境下現代主義的反思——保爾.穆杭六日之夜的四種中文翻譯)
(
2015
)
互為東西——德法學者視野下的也斯、香港文學和中國文學
(
2015
)
互為鏡像的中法左翼作家：一場有關馬爾羅尚未展開的討論
(
2015
)
俄蘇文學、法語左翼與中國現代派：論高力里《俄羅斯革命中的詩人們》的生成、翻譯與傳播 (Russian-Soviet Literature, Francophone Lefists, and Chinese Modernists: Translating and Transmitting Benjamin Goriély’s Les Poètes dans la révolution russe)
(
2015
)
中國現代派與新俄「同路人」作家──論戴望舒譯伊凡諾夫《鐵甲車》(Chinese Modernist and Russian Fellow Traveler: Study on Dai Wangshu’s Translation of Vsevolod Ivanov’s Le Train Blinde Numero 1469)
(
2014
)
兩道消失的城市景觀
(
2014
)
導言: 戴望舒香港時期的文學翻譯(1938-1949)
(
2014
)
戰火下的詩情——抗日戰爭時期戴望舒在港的文學翻譯
(
2014
)
戰爭語境下現代主義的反思——保爾．穆杭《六日之夜》的四種中文翻譯 (Reflection on Modernism in the Context of War: Four Chinese Translations of Paul Morand’s La Nuit des six jours)
(
2014
)
法國左翼文藝的「轉譯」──論戴望舒譯伊凡諾夫《鐵甲車》
(
2014
)
「轉譯」中的法國左翼文藝──論戴望舒譯伊凡諾夫《鐵甲車》 (Dai Wangshu’s Relay-translation of Vsévolod Ivanov’s Le Train blindé numéro 1469)
(
2014
)
世界主義的沉思──論歐洲戰後保爾．穆杭小說及其中文翻譯
(
2013
)
中國三十年代現代派小說中香港作為 「鄉村自然」的隱喻
(
2013
)
戰後歐洲大都會的破體──重讀保爾．穆杭(Paul Morand)小說及滬港兩地的翻譯
(
2013
)
戰爭語境下現代主義的反思──保爾．穆杭〈六日之夜〉從1928至1956年的四種中文翻譯
(
2013
)
陽光燦爛
(
2013
)
中國三十年代現代派小說的都市風景修辭
(
2012
)
兩種先鋒性理念的並置與矛盾──論《新文藝》雜誌的文藝傾向
(
2012
)
Du Langage au silence: L’Evolution de la critique littéraire au XXème siècle [From Language to Silence: The Evolution of Literary Criticism in the 20th Century]
(
2011
)
Most Relevant Area
Chinese culture, language and literature
(
Culture and languages
)
Related Area
Comparative and world literature
(
Culture and languages
)
Translation
(
Culture and languages
)
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Last updated on 2023-23-08 at 17:24
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